I have a lifelong fascination with houses and the sway they hold over us. Coming from a family that moved pretty frequently, I’ve experienced the way a house can feel like a true home, or like an unwelcoming space. Unlike the characters in The Wonder State, I don’t break into places to explore (not even abandoned spaces!). But I always take notice of the homes and structures in every neighborhood and city I visit, wondering what the residents’ lives are like and how their houses affect them. I’m a novelist who focuses on the speculative, and all three of my novels feature weird houses in some capacity.
In the real estate market of haunted houses, Hill House remains a hot property decades after the book’s publication in 1959.
Shirley Jackson is queen of slow-burn Gothic suspense, and her premise is incredible: a group of strangers arrive at an eerie mansion as part of a scientific project to find evidence of the paranormal.
Jackson doesn’t use flashy jump scares, but rather spins a subtle dread that makes even quiet scenes feel unbearably tense.
Haunting of Hill House remains my top recommendation for scary novels. It’s rare for a book to have me leaving the lights on at night, but after one key scene, I had trouble sleeping for weeks. I don’t hide the fact that I’m a Jackson superfan, and this is one of her best works.
Part of a new six-volume series of the best in classic horror, selected by Academy Award-winning director of The Shape of Water Guillermo del Toro
Filmmaker and longtime horror literature fan Guillermo del Toro serves as the curator for the Penguin Horror series, a new collection of classic tales and poems by masters of the genre. Included here are some of del Toro's favorites, from Mary Shelley's Frankenstein and Ray Russell's short story "Sardonicus," considered by Stephen King to be "perhaps the finest example of the modern Gothic ever written," to Shirley Jackson's The Haunting of Hill House and stories…
You are in the house and the house is in the woods. You are in the house and the house is in you.
If these words don’t send a tingle down your spine, or don’t make you suddenly aware of the house surrounding you, then we aren’t the same. Thomas’ feverish debut is the perfect example of “dark academia” done right.
Catherine House is not a home. It’s a mysterious school. Every student seems to have something odd hidden in the past. Students are encouraged to cultivate school spirit that goes well beyond the usual measures. They become one with Catherine House, submitting to cryptic experiments, cutting off contact with the outside world.
I love the way Thomas explores the ways an institution can exploit while pretending to protect.
“[A] delicious literary Gothic debut.” –THE NEW YORK TIMES BOOK REVIEW, EDITORS' CHOICE
“Moody and evocative as a fever dream, Catherine House is the sort of book that wraps itself around your brain, drawing you closer with each hypnotic step.” – THE WASHINGTON POST
A Most Anticipated Novel by Entertainment Weekly • New York magazine • Cosmopolitan • The Atlantic • Forbes • Good Housekeeping • Parade • Better Homes and Gardens • HuffPost • Buzzfeed • Newsweek • Harper’s Bazaar • Ms. Magazine • Woman's Day • PopSugar • and more!
A gothic-infused debut of literary suspense, set within…
If you’ve ever explored an abandoned building, you know what it feels like to approach House of Leaves. This book clocks in at over 700 pages, and it took me a while to work up the courage to dive in.
Danielewski’s groundbreaking horror novel strips away the safety of just reading a story by dragging you right across the book’s threshold. House of Leaves is a difficult book to summarize, but one of the chief plotlines followsThe Navidson Record, a documentary about a family’s increasingly strange experiences in their house. The structure has dimensions that don’t add up, including ominous hallways and staircases.
Just like the house in the book takes on unexpected shapes, the book in your hands also defies expectations. For me, this created a deeply unnerving, immersive reading experience.
“A novelistic mosaic that simultaneously reads like a thriller and like a strange, dreamlike excursion into the subconscious.” —The New York Times
Years ago, when House of Leaves was first being passed around, it was nothing more than a badly bundled heap of paper, parts of which would occasionally surface on the Internet. No one could have anticipated the small but devoted following this terrifying story would soon command. Starting with an odd assortment of marginalized youth -- musicians, tattoo artists, programmers, strippers, environmentalists, and adrenaline junkies -- the book eventually made its way into the hands of older generations,…
When Magnolia’s grandmother dies, the nineteen-year-old protagonist of Brashear’s sultry novel experiences another kind of loss as well. Her predatory landlord turns Magnolia’s home into a hostile space, quite literally forcing her out of the protection her grandmother left behind.
I love the way fairytales take center stage… Magnolia often imagines herself as part of iconic fables. I devoured fairytales as a child, so I felt particularly drawn into this obsession.
Without her own house, Magnolia seeks shelter with a mysterious artist named Cotton. But as always happens in such tales, nothing comes without a cost. Magnolia agrees to pose as mourners’ lost loved ones. Just like her house is no longer her own, even Magnolia’s own body doesn’t fully belong to her.
An enchanting Black Southern gothic debut, perfect for readers of Mexican Gothic... "Fresh, haunting...In her roller-coaster ride of a gothic debut novel, Monica Brashears upends expectations at every turn." ―The New York Times
“Every page, every scene, every sentence of Monica Brashears’s debut novel House of Cotton dazzles and surprises. An intense, enthralling, and deeply satisfying read!” ―Deesha Philyaw, author of The Secret Lives of Church Ladies
"A new, dazzling, and essential American voice." ―George Saunders, author of Lincoln in the Bardo
Magnolia Brown is nineteen years old, broke, and effectively an orphan. She feels stuck and haunted: by her…
The house referenced in the title of this atmospheric thriller is no ordinary home, but I had to take quite a journey before understanding what makes this place so sinister.
In Reyes’ thriller, Maya is haunted by the seemingly inexplicable death of her friend. She suspects that the death has something to do with Frank, the mysterious man who created a rift between Maya and her friend. But Maya can’t prove anything… until she sees Frank connected to yet another woman’s bizarre death.
Without any spoilers, this particular house is unlike the others on the list, and Reyes plays with reality and perception in a fresh and intriguing way. Good luck guessing what’s going on in this eerie house in the woods… I certainly couldn’t anticipate the twists.
A REESE WITHERSPOON BOOK CLUB PICK A NEW YORK TIMES BESTSELLER 'AN ABSOLUTE, CAN'T-PUT-IT-DOWN THRILLER' Reese Witherspoon (Reese's Book Club Jan '23 Pick)
'EERIE AND ATMOSPHERIC' Riley Sager, New York Times bestselling author of The House Across the Lake
'CREEPY' The Times
'I READ IN A SINGLE SITTING, TOTALLY ENTHRALLED' Lisa Gardner, Sunday Times bestselling author of One Step Too Far
'SUPERB' M. W. Craven, Sunday Times bestselling author of The Botanist
'CHILLED ME TO THE BONE' Andrea Bartz, author of Reese's pick We Were Never Here ________
This is the story of a house. The cabin lies deep in…
In 1999, a group of misfit friends discover mysterious houses scattered around their Arkansas Ozarks town. Although ordinary from the outside, these houses hold strange powers once you step inside: bestowing incredible luck, forcing people to tell the truth, or making time move differently. One house is rumored to lead to another world entirely. The six teens throw themselves into finding the houses, but the magical quest ends in tragedy and betrayal.
In 2015, the friends, now adults, return to the town they swore never to visit again. One member of their group is missing, and the secrets they left behind might have something to do with her disappearance. The friends aren’t sure whether they’re back in the Ozarks for a reunion, or for revenge.
Tap Dancing on Everest, part coming-of-age memoir, part true-survival adventure story, is about a young medical student, the daughter of a Holocaust survivor raised in N.Y.C., who battles self-doubt to serve as the doctor—and only woman—on a remote Everest climb in Tibet.
The team attempts a new route up the East Face without the use of supplemental oxygen, Sherpa support, or chance for rescue. When three climbers disappear during their summit attempt, Zieman reaches the knife edge of her limits and digs deeply to fight for the climbers’ lives and to find her voice.
The plan was outrageous: A small team of four climbers would attempt a new route on the East Face of Mt. Everest, considered the most remote and dangerous side of the mountain, which had only been successfully climbed once before. Unlike the first large team, Mimi Zieman and her team would climb without using supplemental oxygen or porter support. While the unpredictable weather and high altitude of 29,035 feet make climbing Everest perilous in any condition, attempting a new route, with no idea of what obstacles lay ahead, was especially audacious. Team members were expected to push themselves to their…
